A very amusing movie! I can't believe all the internet hate from the trailers. I thought the first two trailers were quite meh, but the international trailer was pretty solid. And the film was pretty damned enjoyable and funny, and given by how the crowd with me were laughing!
I especially enjoyed how the show doesn't take itself too seriously, and the 2D ghost near the end just clinches it. Very proud to have worked on the ghost fight sequence, that looked even better after the final grade.
Who you gonna call?
Thursday, July 28, 2016
Wednesday, July 27, 2016
Electro Etching - Complete
It's quite difficult to find Copper Sulfate, but somehow I managed to find a small 100g bottle from Lacy West.
As this was a quick test, I just glued up a pile of waste plywood pieces into something able to support the piece being etched. They are kept more or less about 6 centimeters apart.
The first test plate was slightly damaged due to some over-enthusiastic filing to get a clean area for the wire to be soldered on. I also used a small bottle of TSPe to remove all the oil and fingerprints.
A used pasta sauce container is to be used to hold the electrolyte.
For a power supply, I got a pretty nice unit off Banggood, the cps-3205 capable of up to 5A current supply, and variable from 0 to 32 volts.
I went with 1v, for my etching voltage. The current draw during my tests were hardly taxing on the power supply, topping out at 150mAh.
The cathode appears to have worked as described by various websites, the copper plating onto the cathode.
This is the result after one hour in the electrolyte, checked at 15 minute intervals.
This is side-on through the usb microscope. Seems like a fair good bit of etching was done.
The toner came off easily with a piece of tape. Some of it could not be removed, and I used a fingernail to scratch it off.
Didn't have any proper oxidization agents, so I just used a black sharpie to colour in the etched areas as a test :)
I thought this looked really nice!
This is the inverse of the previously etched image.
The edges are definitely more deeply etched than the center. Several sources have indicated that this would be the case, and a way to help with this is to use a cathode in the shape of a grid, not a solid plate like I have done.
Here's the reverse give the sharpie treatment :)
As this was a quick test, I just glued up a pile of waste plywood pieces into something able to support the piece being etched. They are kept more or less about 6 centimeters apart.
The first test plate was slightly damaged due to some over-enthusiastic filing to get a clean area for the wire to be soldered on. I also used a small bottle of TSPe to remove all the oil and fingerprints.
A used pasta sauce container is to be used to hold the electrolyte.
For a power supply, I got a pretty nice unit off Banggood, the cps-3205 capable of up to 5A current supply, and variable from 0 to 32 volts.
I went with 1v, for my etching voltage. The current draw during my tests were hardly taxing on the power supply, topping out at 150mAh.
The cathode appears to have worked as described by various websites, the copper plating onto the cathode.
This is the result after one hour in the electrolyte, checked at 15 minute intervals.
The toner came off easily with a piece of tape. Some of it could not be removed, and I used a fingernail to scratch it off.
Didn't have any proper oxidization agents, so I just used a black sharpie to colour in the etched areas as a test :)
I thought this looked really nice!
This is the inverse of the previously etched image.
The edges are definitely more deeply etched than the center. Several sources have indicated that this would be the case, and a way to help with this is to use a cathode in the shape of a grid, not a solid plate like I have done.
Here's the reverse give the sharpie treatment :)
Sunday, July 17, 2016
Electro Etching - Toner transfer II
Success! I got the toner to transfer cleanly! I tried again with the same temperature in my oven (about 190-200 degrees C), but only leaving it in the oven for five minutes. The first attempt here transferred the center portion very nicely, but the edges totally fell apart.
Two things came to my mind. First, I did not apply as much pressure as the previous attempt. Next, I also forgot to degrease it. I then tried again, this time having a much tighter grip on the clamp in addition to degreasing the brass.
The transfer's lines are very crisp though, and all of the toner was transferred across.
Two other things need to be done though, and that the resist should actually be printed in reverse... I want the areas in black to be etched in, so I bungled that. And I would also like the maple leaf to be on the right. I'll keep that in mind for the next attempt, this test should be good enough to begin some actual etching!
Edit: Aaaaand I've got a version with the reversed and flipped image. It's all good! The tears at the edge are simply caused by the metal not being flat. I used a pair of shears to cut the metal, and this was what caused the warping. Gotta see how I can cut metal without the warpage - maybe a jewellery saw?
Two things came to my mind. First, I did not apply as much pressure as the previous attempt. Next, I also forgot to degrease it. I then tried again, this time having a much tighter grip on the clamp in addition to degreasing the brass.
It came out pretty good this time!
The thickness of the lines however did expand. It comes as no surprise given that we are pressing down on them, and that they'd spread. The transfer's lines are very crisp though, and all of the toner was transferred across.
Two other things need to be done though, and that the resist should actually be printed in reverse... I want the areas in black to be etched in, so I bungled that. And I would also like the maple leaf to be on the right. I'll keep that in mind for the next attempt, this test should be good enough to begin some actual etching!
Edit: Aaaaand I've got a version with the reversed and flipped image. It's all good! The tears at the edge are simply caused by the metal not being flat. I used a pair of shears to cut the metal, and this was what caused the warping. Gotta see how I can cut metal without the warpage - maybe a jewellery saw?
Electro Etching - Toner transfer
Small piece of brass that would fit into the aluminum heat spreaders was cut out and sanded down with 400, then 600 grit sandpaper.
The test image was printed on Pulsar FX Toner Transfer Paper. I choose this image for the fine lines and small details as well as the larger solid section.
The brass plate is then degreased with a dab of TSPe, and carefully handled after.
Here's the sandwich!
Clamped down.
Top shelf of the oven!
Water removes the transfer paper from the toner resist. The paper floats away easily, and feels exactly like the paper found on the underside of water slide decals. A quick google search indicates that these papers are probably Dextrin Coated Paper.
Success! The toner transferred well, and seems to be very sturdy. It even resists my attempts of scratching with a fingernail. However...
The fine details are all squished. Was it too much heat? Or was the clamp applying too much pressure? Gotta sand it off then and try again! I'll report back when I get a better result!
The test image was printed on Pulsar FX Toner Transfer Paper. I choose this image for the fine lines and small details as well as the larger solid section.
The brass plate is then degreased with a dab of TSPe, and carefully handled after.
Here's the sandwich!
Clamped down.
Top shelf of the oven!
Water removes the transfer paper from the toner resist. The paper floats away easily, and feels exactly like the paper found on the underside of water slide decals. A quick google search indicates that these papers are probably Dextrin Coated Paper.
Success! The toner transferred well, and seems to be very sturdy. It even resists my attempts of scratching with a fingernail. However...
The fine details are all squished. Was it too much heat? Or was the clamp applying too much pressure? Gotta sand it off then and try again! I'll report back when I get a better result!
Saturday, July 16, 2016
Electro Etching - Figuring out printer settings
After much web browsing and forum lurking, I decided on getting the HP Laserjet P1102W to print the toner resists. To keep things cheap, I bought a refurb printer that, unfortunately, arrived with the output tray, as well as the upper cover broken. Blargh. Thankfully, Amazon has a pretty damned good return policy, so that went back.
The P1102W is a curious machine. It supposedly prints at 600DPI, but it has FastRes 1200 mode that somehow gives the sharpness of a 1200dpi printer. The "true" 1200dpi printers supposedly use the so-called ProRes 1200 print modes - or what I could understand from their PR blurbs.
While browsing the HP website, I came across the HP M201dw that was slightly larger than the 1102, able to print duplex, and... could print in ProRes 1200! And here's the best part - there was a special offer going on at Staples... 99.93 - from a usual price at 229. Got a unit of it :)
My first time setting up a printer using wifi, and that went surprisingly smoothly. Just had to press the wps button on the router a few times, install the driver and that was it!
Now I wanted to find a setting that gave the thickest toner and proceeded to print a sample vector image though Affinity Designer. However, all the changes I made on the printer or the print dialog settings gave me, as best I can tell though the usb microscope, identical prints. The print quality _appeared_ to be pretty good, though solid black areas had some kind of mottled pattern, mildly visible even through the naked eye.
Curiously, printing the test images as a raster image through Pixelmator revealed a rather different story. The edges weren't as crisp when compared side by side with the vector prints through Affinity Designer.
The two images here show a ~2cm crop of the prints. The upper print was a 300dpi raster image through pixelmator, versus the print though Affinity Designer below. The vector print is super crisp in comparison. You can also see the mottling in the solid areas.
I think this is a superb start, will report next when I attempt to do the toner transfer!
The P1102W is a curious machine. It supposedly prints at 600DPI, but it has FastRes 1200 mode that somehow gives the sharpness of a 1200dpi printer. The "true" 1200dpi printers supposedly use the so-called ProRes 1200 print modes - or what I could understand from their PR blurbs.
While browsing the HP website, I came across the HP M201dw that was slightly larger than the 1102, able to print duplex, and... could print in ProRes 1200! And here's the best part - there was a special offer going on at Staples... 99.93 - from a usual price at 229. Got a unit of it :)
My first time setting up a printer using wifi, and that went surprisingly smoothly. Just had to press the wps button on the router a few times, install the driver and that was it!
Now I wanted to find a setting that gave the thickest toner and proceeded to print a sample vector image though Affinity Designer. However, all the changes I made on the printer or the print dialog settings gave me, as best I can tell though the usb microscope, identical prints. The print quality _appeared_ to be pretty good, though solid black areas had some kind of mottled pattern, mildly visible even through the naked eye.
Curiously, printing the test images as a raster image through Pixelmator revealed a rather different story. The edges weren't as crisp when compared side by side with the vector prints through Affinity Designer.
The two images here show a ~2cm crop of the prints. The upper print was a 300dpi raster image through pixelmator, versus the print though Affinity Designer below. The vector print is super crisp in comparison. You can also see the mottling in the solid areas.
I think this is a superb start, will report next when I attempt to do the toner transfer!
Monday, July 11, 2016
Electro Etching - Heat Spreaders
I am trying my hand at electro etching, and the two common ways to heat and transfer the toner resist onto the workpiece (I'm using brass for a start) is either with a regular clothes iron or a modified laminator. Both of these methods appear to work very well for circuit boards, but I want to try my hand at something with fine detail, and I thought I'd try a different method I saw on youtube.
With the iron and laminator, I believe that there would be some level of shearing between the toner and the copper when heat is applied by an iron or laminator. Using two plates to hold together the transfer sheet/copper and then heating it up would remove the shear from the equation, possibly giving a higher quality result? Well that's what I think anyways.
Originally, I bought some 316 stainless steel round bars, similar to the video. THAT was a stupid idea. I only have hand tools, and the stainless steel basically chewed up anything I threw at it. After learning more about metals, I decided on aluminum for two reasons, a) It's got a good heat transfer co-efficient and b) workable with hand tools.
Copper has a much better heat transfer co-efficient, but I don't want to deal with oxidized copper (eww) and as I read, it's a harder metal.
The "heat spreaders" are basically aluminum bars I got cut from metalsupermarkets. 2inx2in an eighth of an inch thick. A small hand file was used to remove burrs and smooth the edges, then a series of wet/dry sandpaper, 400/600/1000 were used to smooth their contact faces. Sandwiched between these two prepared surfaces would be the brass plate as well as the toner-impregnated transfer paper. A c-clamp will be used to hold the pieces together while they are heated and the toner transferred from the paper onto the brass.
With this done, I am waiting for the last big piece of the puzzle - the laser printer to arrive. I've already got a bunch of copper sulphate for the mordant. As for the paper to receive the toner, I've got a bunch of Pulsar's Toner Transfer Paper.
The container for holding the mordant is still being decided on... some articles I've read float the piece to be etched horizontally with styrofoam, and some have it held vertically. Each of them have their own pros and cons, and I'm deciding on what would be best for quality and usability indoors.
Should be fun :)
----------------------------------------------------------------
Decided to take a peek under the el-cheapo usb microscope to see what's the surface like between the original and polished surfaces:
Fascinating!
With the iron and laminator, I believe that there would be some level of shearing between the toner and the copper when heat is applied by an iron or laminator. Using two plates to hold together the transfer sheet/copper and then heating it up would remove the shear from the equation, possibly giving a higher quality result? Well that's what I think anyways.
Originally, I bought some 316 stainless steel round bars, similar to the video. THAT was a stupid idea. I only have hand tools, and the stainless steel basically chewed up anything I threw at it. After learning more about metals, I decided on aluminum for two reasons, a) It's got a good heat transfer co-efficient and b) workable with hand tools.
Copper has a much better heat transfer co-efficient, but I don't want to deal with oxidized copper (eww) and as I read, it's a harder metal.
The "heat spreaders" are basically aluminum bars I got cut from metalsupermarkets. 2inx2in an eighth of an inch thick. A small hand file was used to remove burrs and smooth the edges, then a series of wet/dry sandpaper, 400/600/1000 were used to smooth their contact faces. Sandwiched between these two prepared surfaces would be the brass plate as well as the toner-impregnated transfer paper. A c-clamp will be used to hold the pieces together while they are heated and the toner transferred from the paper onto the brass.
With this done, I am waiting for the last big piece of the puzzle - the laser printer to arrive. I've already got a bunch of copper sulphate for the mordant. As for the paper to receive the toner, I've got a bunch of Pulsar's Toner Transfer Paper.
The container for holding the mordant is still being decided on... some articles I've read float the piece to be etched horizontally with styrofoam, and some have it held vertically. Each of them have their own pros and cons, and I'm deciding on what would be best for quality and usability indoors.
Should be fun :)
----------------------------------------------------------------
Decided to take a peek under the el-cheapo usb microscope to see what's the surface like between the original and polished surfaces:
Fascinating!
Wednesday, July 06, 2016
DIY Canard Airframe 10
The downthrust has been bugging me, so I took to creating a small wood wedge that would tilt the motor down by about 5 degrees. Unfortunately (I seem to be using this word far to often) the tilt causes the sleeve of the prop adaptor to hit the lower screw >.>
Gah. Now kinda concerned if the airframe can fly or not without downthrust. Hopefully the weather will be more conducive and I can give her a spin soon. Grrr.
Gah. Now kinda concerned if the airframe can fly or not without downthrust. Hopefully the weather will be more conducive and I can give her a spin soon. Grrr.
Monday, July 04, 2016
DIY Canard Airframe 09
AAAAAND we are back! It's been over half a year since I've worked on the canard, and now that the weather is finally warm (and dry!) I decided it was time to get back to finishing this project.
I've got the servos installed, and did a quick run to the park to make sure it still glides ok. That it didn't disappoint. Now I'm concerned about the thrust angle of the motor. The motor is a few mm below the thrustline, and I'm not sure how much downthrust to give it (or not?).
A quick google indicates some people have flown their models with no downthrust - I'll probably stick with that for now. There's also the incidence of the canard to consider. ARGH! Hopefully will have news in a day or two with the maiden!
I've got the servos installed, and did a quick run to the park to make sure it still glides ok. That it didn't disappoint. Now I'm concerned about the thrust angle of the motor. The motor is a few mm below the thrustline, and I'm not sure how much downthrust to give it (or not?).
A quick google indicates some people have flown their models with no downthrust - I'll probably stick with that for now. There's also the incidence of the canard to consider. ARGH! Hopefully will have news in a day or two with the maiden!
Saturday, July 02, 2016
Is Star Wars more popular than Star Trek?
Or at least, it _seems_ that way to me. Exhibit one: Canada Day Parade, Vancouver Downtown.
I was patiently waiting for a Bleach, or Naruto, heck, anything cosplay-related contingent, but nothing showed up. One thing lead to the other and I pondered, why isn't there a Star Trek contingent? And as I turned back time, I remember that at anime cons, I _always_ see SW related costumers. I honestly cannot remember the last time I saw a Trek costumer. I definitely have, somewhere, but I can't say when.
This made me consider the universes of both space operas. From my limited point of view - I'm not a big fan of either, but definitely read alot more trek books - Harry Potter FTW btw - Star Wars is infinitely more relatable. Sith, Imperial Stormtrooper. Jedi, even your alien bartender. They are everyday slices of life, in a different skin. I can relate to them.
Trek on the other hand, is humans in post-scarcity, vs the things they find while out exploring. I can't relate that easily to Picard or Janeway. They hold grand moral values that, while I'd love to be able to hold on to, I don't think it's something a regular wolf can do on a day to day basis.
At around this point, my mind went off on another tangent. Guildwars popped up for some reason, and I was like... isn't Star Trek like PVE? It really is a group of humans banding together to explore the world, face down "evil" and save the day. Just like ST.
Starwars on the other hand reminds me of PVP. It's the clashing of people and ideologies, the grand battles, lightsaber to lightsaber, turbolaser to turbolaser. No matter the scale or weapons, it's still People Vs People.
Also, Star Trek is people in sleek, futuristic uniforms. Starwars in my opinion, has so much more texture and differences.
I think I need to cook dinner. So hungry.
I was patiently waiting for a Bleach, or Naruto, heck, anything cosplay-related contingent, but nothing showed up. One thing lead to the other and I pondered, why isn't there a Star Trek contingent? And as I turned back time, I remember that at anime cons, I _always_ see SW related costumers. I honestly cannot remember the last time I saw a Trek costumer. I definitely have, somewhere, but I can't say when.
This made me consider the universes of both space operas. From my limited point of view - I'm not a big fan of either, but definitely read alot more trek books - Harry Potter FTW btw - Star Wars is infinitely more relatable. Sith, Imperial Stormtrooper. Jedi, even your alien bartender. They are everyday slices of life, in a different skin. I can relate to them.
Trek on the other hand, is humans in post-scarcity, vs the things they find while out exploring. I can't relate that easily to Picard or Janeway. They hold grand moral values that, while I'd love to be able to hold on to, I don't think it's something a regular wolf can do on a day to day basis.
At around this point, my mind went off on another tangent. Guildwars popped up for some reason, and I was like... isn't Star Trek like PVE? It really is a group of humans banding together to explore the world, face down "evil" and save the day. Just like ST.
Starwars on the other hand reminds me of PVP. It's the clashing of people and ideologies, the grand battles, lightsaber to lightsaber, turbolaser to turbolaser. No matter the scale or weapons, it's still People Vs People.
Also, Star Trek is people in sleek, futuristic uniforms. Starwars in my opinion, has so much more texture and differences.
I think I need to cook dinner. So hungry.
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